Caravaggio
Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
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Caravaggio The Musicians oil painting


The Musicians
mk161 Oil on canvas
Painting ID::  41282 		Caravaggio
The Musicians
mk161 Oil on canvas
   
   
     
Caravaggio The Virgin of the Grooms oil painting


The Virgin of the Grooms
mk166 1602-1603 Painting al I Wave 292x211cm Galeria Borghese Rome
Painting ID::  42030 		Caravaggio
The Virgin of the Grooms
mk166 1602-1603 Painting al I Wave 292x211cm Galeria Borghese Rome
   
   
     
Caravaggio The conversion of St. Paul oil painting


The conversion of St. Paul
MK169 ca.1601.Doek 230x175cm S. Maria divide Popolo Rome
Painting ID::  42689 		Caravaggio
The conversion of St. Paul
MK169 ca.1601.Doek 230x175cm S. Maria divide Popolo Rome
   
   
     
Caravaggio Boy Bitten by a Lizard oil painting


Boy Bitten by a Lizard
mk170 1595-1600 Oil on canvas 66x49.5cm
Painting ID::  43080 		Caravaggio
Boy Bitten by a Lizard
mk170 1595-1600 Oil on canvas 66x49.5cm
   
   
     
Caravaggio Salome Receives the Head of Saint John the Baptist oil painting


Salome Receives the Head of Saint John the Baptist
mk170 1607-1610 Oil and egg on canvas 91.5x106.7cm
Painting ID::  43081 		Caravaggio
Salome Receives the Head of Saint John the Baptist
mk170 1607-1610 Oil and egg on canvas 91.5x106.7cm
   
   
     
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     Caravaggio
     Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

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